10 questions with Radio Slave




Acclaimed producer of high-octane house and techno, tapped for remixes by X-Press 2, Tiga, Kylie, Hell, Booka Shade,
Moby and Trentemøller, co-owner of the lauded Rekids label and with more monikers than days in the week,
chances are that at some point over the past five years you will have got your rocks off to the sounds of
Matt Edwards aka Radio Slave. He shares with us his love of sampling, his respect for mastering engineers
and his frustrations with serial free-loaders.


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Loops? Or programming your beats from single hits?

I hardly ever use loops as a starting point for beats but I’m definitely into sampling disco drums - taking loops from old records and breaking them into sections and hits. By moving sample start points you can create great shuffling effects and give static loops a more human feel.





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